Mar 17, 2018 - MP3 CBR 320kbps RAR 259 mb. Crosby, Stills, Nash & Young - Instrumental #1 (Deja Vu out-takes #1 (Studio rehearsals. Benefit 3 Soundcheck, Shoreline Amphitheater, Mountain View, California, October 28, 1989).

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My parents got me hooked on Peter, Paul and Mary and I found my way to Bob Dylan. I also got hooked into Paul Simon and into John Prine at an early age having been born in 1979. On the flip side I started out with Willie Nelson and Dolly Parton then found my way to Johnny Cash, Emmylou Harris and Allison Krauss.

I found slight similarities between the Folk artists and Americana artists. I landed on Folk Rock and Country Rock eventually and that lead me in different directions. One was Contemporary Singer-Songwriter and Modern Folk. There is some overlap between genres and a lot of jumping off points. The main genres of discussion with this list are Folk music between 1950 and now, Folk Rock, Singer-Songwriter, Country Rock, Country Folk, Americana and a Folk-Alternative vibe. Personally I recommend people check out these stations to get an idea of how big the field is: On Google Play Music try Essential Folk, Classic Singer-Songwriters, Reflections of a Singer-Songwriter, Allison Krauss station, Eye Opening Americana, God Bless Americana, Rolling Down The Road Radio, Fireplace Folk, Today's Americana, Today's Indie Folk & Americana and Today's Singer-Songwriters.

On Pandora try Country Folk, 60s Folk, 70s Folk, Traditional Folk, Contemporary Folk, Lite Rock Songwriters, Americana, British Folk, Folk Rock and Acoustic Blues. On Aol Radio try Folk, Americana, Songwriters, and Sailing Away.

On Jango try 60s Folk Rock, Folk Rock, Warm Acoustic Music, 70s Singer Songwriter Redefined, Singing By The Campfire, Mellow and Melancholy Folk, Alt Country and Americana Just some ideas. Gives you artists you can then find on Spotify and Rhapsody type sites or try custom stations on the sites.

Talk about understatement -- there's Stephen Stills on the cover, acoustic guitar in hand, promising a personal singer/songwriter-type statement. And there is some of that -- even a lot of that personal music-making -- on Stephen Stills, but it's all couched in astonishingly bold musical terms. Stephen Stills is top-heavy with 1970 sensibilities, to be sure, from the dedication to the memory of Jimi Hendrix to the now piggish-seeming message of 'Love the One You're With.' Yet, listening to this album three decades on, it's still a jaw-dropping experience, the musical equal to Crosby, Stills & Nash or Deja Vu, and only a shade less important than either of them.

The mix of folk, blues (acoustic and electric), hard rock, and gospel is seamless, and the musicianship and the singing are all so there, in your face, that it just burns your brain (in the nicest, most benevolent possible way) even decades later. Recorded amid the breakup of Crosby, Stills, Nash & Young, Stills' first solo album was his effort to put together his own sound and, not surprisingly, it's similar to a lot of stuff on the group's two albums. But it's also infinitely more personal, as well as harder and bluesier in many key spots; yet, it's every bit as soft and as lyrical as the group in other spots, and all laced with a degree of yearning and urgency that far outstrips virtually anything he did with the group. 'Love the One You're With,' which started life as a phrase that Stills borrowed from Billy Preston at a party, is the song from this album that everybody knows, but it's actually one of the lesser cuts here -- not much more than a riff and an upbeat lyric and mood, albeit all of it infectious. 'Do for the Others,' by contrast, is one of the prettiest and most moving pieces of music that Stills has ever been associated with, and 'Church (Part of Someone)' showed him moving toward gospel and R'n'B (and good at it, too); and then there's 'Old Times Good Times,' musically as good a rock song as Stills has ever recorded (even if it borrows a bit from 'Pre-Road Downs'), and featuring Jimi Hendrix on lead guitar. All of this is presented by Stills in the best singing voice of his career up to that point, bolder, more outgoing, and more powerful (a result of his contact with Doris Troy) than anything in his previous output. He also plays lots of instruments (a la Crosby, Stills & Nash, which is another reason it sounds so similar to the group in certain ways), though a bit more organ than guitar, thanks to the presence of Hendrix and Clapton on two cuts.

If the album has a flaw, it's the finale, 'We Are Not Helpless,' which slightly overstays its welcome. But hey, this was still the late '60s, and excess was the rule, not the exception, and it's such modest excess. Love the One You're With - 3:04 2. Do for the Others - 2:52 3. Church (Part of Someone) - 4:05 4. Old Times Good Times - 3:39 5. Go Back Home - 5:54 6.